Willem Drost (1633-1659) : a Rembrandt pupil in Amsterdam and Venice /

Willem Drost (1633-1659) : a Rembrandt pupil in Amsterdam and Venice /

Willem Drost (1633-1659) was one of Rembrandt's most gifted pupils, and he is also considered one of the most mysterious. This book, the first ever devoted to this exceptional artist, unravels many of the mysteries of Drost's life and career. Curator and art historian Jonathan Bikker offer...

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Bibliographic Details
Main Author: Bikker, Jonathan
Other Authors: Drost, Willem, 1633-1659
Format: Book
Language:English
Published: New Haven [Conn.] : Yale University Press, [2005]
Subjects:
Drost, Willem, > 1633-1659 > Criticism and interpretation.
Drost, Willem, > 1633-1659 > Travel > Italy > Venice.
Rembrandt Harmenszoon van Rijn, > 1606-1669 > Influence.
Drost, Willem, > 1633-1659.
Rembrandt Harmenszoon van Rijn, > 1606-1669.
Drost, Willem, > 1633-1659 > Catalogues raisonnés.
17th century.
Painting > Attribution.
Painting, Dutch > 17th century.
Painting, Dutch.
Travel.
Criticism and interpretation.
Italy > Venice.
Catalogues raisonnés.
Catalogues raisonnés.
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505 0 0 |t Amsterdam  |g 7 --  |t Early Life and Social Milieu  |g 7 --  |t Apprenticeship  |g 9 --  |t The Dutch Paintings  |g 12 --  |t Italian, Especially Sixteenth-Century Venetian, Influence on Drost's Dutch Paintings  |g 20 --  |t Subject Matter and Extent of the Dutch Oeuvre  |g 29 --  |t Other Rembrandt Followers of the Late 1640s and Early 1650s: the Notion of joint Authorship  |g 32 --  |t Italy  |g 37 --  |t Duration of the Italian Period  |g 37 --  |t The Italian Paintings and Relationship to other Venetian Tenebrosi  |g 40 --  |t The Dutch Oeuvre  |g 51 --  |t The Italian Oeuvre  |g 103 --  |t Rejected Paintings  |g 125 --  |t Paintings Known only from Sale Catalogues and Inventories  |g 163 --  |t Paintings Known only from Reproductions  |g 170 --  |t Documents  |g 193. 
520 |a Willem Drost (1633-1659) was one of Rembrandt's most gifted pupils, and he is also considered one of the most mysterious. This book, the first ever devoted to this exceptional artist, unravels many of the mysteries of Drost's life and career. Curator and art historian Jonathan Bikker offers not only new archival evidence of the artist's date and place of death, but also a new assessment of Drost's place in the Rembrandt workshop and in the Venetian art world of the mid-seventeenth century. Drost emerges as one of Rembrandt's most talented imitators and, despite his short career, an artist with a variety of faces. The book features a meticulously researched and fully illustrated catalogue raisonne with 38 paintings now attributed to Drost (several formerly attributed to Rembrandt) and 35 other paintings today known only from old sale catalogues or reproductions. The author also discusses 32 paintings he rejects as Drost's work. 
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