Francis Bacon /

"With their searing colors and dramatically contorted figures, the paintings of Francis Bacon compel attention. Unlike most painters of his generation, who preferred to investigate the rigors of abstraction, the 75-year-old Bacon has devoted his skills to portraying the human body. The power an...

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Bibliographic Details
Main Authors: Davies, Hugh M. (Hugh Marlais), 1948- (Author), Yard, Sally (Author)
Format: Book
Language:English
Published: New York : Abbeville Press, [1986]
Edition:First edition.
Series:Modern masters series ; v. 9.
Subjects:
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100 1 |a Davies, Hugh M.  |q (Hugh Marlais),  |d 1948-  |e author.  |1 https://id.oclc.org/worldcat/entity/E39PBJrWBYMKbWjvQWVCB4RYfq 
245 1 0 |a Francis Bacon /  |c Hugh Davies and Sally Yard. 
246 1 4 |a Bacon 
250 |a First edition. 
264 1 |a New York :  |b Abbeville Press,  |c [1986] 
264 4 |c ©1986 
300 |a 128 pages :  |b illustrations (some color), portraits ;  |c 29 cm. 
336 |a text  |b txt  |2 rdacontent 
336 |a still image  |b sti  |2 rdacontent 
337 |a unmediated  |b n  |2 rdamedia 
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490 1 |a Modern masters series,  |x 0738-0429 ;  |v v. 9 
504 |a Includes bibliographical references (pages 123-126) and index. 
505 0 |a Images after art -- Images from life -- Images of mortality. 
520 |a "With their searing colors and dramatically contorted figures, the paintings of Francis Bacon compel attention. Unlike most painters of his generation, who preferred to investigate the rigors of abstraction, the 75-year-old Bacon has devoted his skills to portraying the human body. The power and magnitude of his life's work are vividly conveyed by this thorough evaluation written by Hugh Davies, director of the La Jolla Museum of Contemporary Art, and art historian Sally Yard. Born in Dublin, as a teenager Bacon moved to London, where he worked as an interior designer and taught himself to paint. Responding to influences as diverse as Michelangelo and the photographer Muybridge, he has created a motion-filled style uniquely his own. Fascinated by the challenge of capturing what he calls "the mysteries of appearance," Bacon confronts us with emotional images that demand an emotional response."--Publisher's description. 
540 |a British Library not licensed to copy  |c 0.  |5 Uk 
600 1 0 |a Bacon, Francis,  |d 1909-1992. 
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600 1 7 |a Bacon, Francis,  |d 1909-1992  |x Criticism and interpretation.  |2 nli 
600 1 7 |a Bacon, Francis,  |d (1561-1626)  |2 ram 
600 1 7 |a Bacon, Francis (Künstler)  |2 swd 
650 0 |a Painters  |z England  |v Biography. 
650 1 |a Artists  |z England  |v Biography. 
650 6 |a Peintres  |z Angleterre  |v Biographies. 
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655 4 |a Biography. 
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700 1 |a Yard, Sally,  |e author. 
758 |i has work:  |a Francis Bacon (Text)  |1 https://id.oclc.org/worldcat/entity/E39PCG6rQKf69VQqWDK8DYWr9C  |4 https://id.oclc.org/worldcat/ontology/hasWork 
776 0 8 |i Online version:  |a Davies, Hugh Marlais, 1948-  |t Francis Bacon.  |b 1st ed.  |d New York : Abbeville Press, ©1986  |w (OCoLC)568023375 
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