The ideal world of Mrs. Widder's soirée musicale : social identity and musical life in nineteenth-century Ontario /

"The printed program of Mrs. Widder's 1844 Soiree Musicale, a formal concert at her lavish Toronto home, lists eleven musicians performing opera, parlour ballads, and glees. This information helped trace the networks which drew a working tenor and leisured Lady and Gentlemen Amateurs into...

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Bibliographic Details
Main Author: Guiguet, Kristina Marie, 1953-
Corporate Author: Canadian Museum of Civilization
Format: Government Document Book
Language:English
Published: Gatineau, Québec : Canadian Museum of Civilization, ©2004.
Series:Mercury series.
Cultural studies paper (Canadian Museum of Civilization) ; 77.
Subjects:
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100 1 |a Guiguet, Kristina Marie,  |d 1953- 
245 1 4 |a The ideal world of Mrs. Widder's soirée musicale :  |b social identity and musical life in nineteenth-century Ontario /  |c by Kristina Marie Guiguet. 
246 3 0 |a Social identity and musical life in nineteenth-century Ontario 
260 |a Gatineau, Québec :  |b Canadian Museum of Civilization,  |c ©2004. 
300 |a xvi, 154 pages :  |b illustrations ;  |c 25 cm. 
336 |a text  |b txt  |2 rdacontent 
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490 1 |a Mercury series 
490 1 |a Cultural studies paper ;  |v 77 
504 |a Includes bibliographical references (pages 147-154). 
546 |a Includes abstract in French. 
505 0 |a Overture : Mrs. Widder's drawing room, March 12, 1844 -- Ch. 1. The scrambled kaleidoscope : historiography of the Ontario Soiree Musicale -- Ch. 2. Programming politics : musical and thematic structure of Mrs. Widder's program -- Ch. 3. Mr. Widder sat silent while other men sang : musical genre, masculinity, and class -- Ch. 4. Mrs. Widder sang awfully well : the dignified struggle of the lady amateur -- Ch. 5. Singing tight her chains : Miss Hagerman, Mrs. Widder's exceptional lady amateur -- Encore : turning the kaleidoscope : evolving patterns of meaning 1844-1907 -- App. 1. Lyrics of Mrs. Widder's 1844 program -- App. 2. Lyrics of Mr. Humphrys' 1851 program. 
520 1 |a "The printed program of Mrs. Widder's 1844 Soiree Musicale, a formal concert at her lavish Toronto home, lists eleven musicians performing opera, parlour ballads, and glees. This information helped trace the networks which drew a working tenor and leisured Lady and Gentlemen Amateurs into a brilliant program balancing aesthetics with social politics. The Widder program reveals how conventions linking class and gender with musical genre and local issues shaped the meaning of musical life both public and private. The Soiree Musicale, a concert form transplanted from imperial London, was the embodiment of an idealized hierarchical universe."--Jacket. 
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