Jean-Auguste-Dominique Ingres
Jean-Auguste-Dominique Ingres ( , ; 29 August 1780 – 14 January 1867) was a French Neoclassical painter. Ingres was profoundly influenced by past artistic traditions and aspired to become the guardian of academic orthodoxy against the ascendant Romantic style. Although he considered himself a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, it is his portraits, both painted and drawn, that are recognized as his greatest legacy. His expressive distortions of form and space made him an important precursor of modern art, influencing Picasso, Matisse and other modernists.Born into a modest family in Montauban, he travelled to Paris to study in the studio of David. In 1802 he made his Salon debut, and won the for his painting ''The Ambassadors of Agamemnon in the tent of Achilles''. By the time he departed in 1806 for his residency in Rome, his style—revealing his close study of Italian and Flemish Renaissance masters—was fully developed, and would change little for the rest of his life. While working in Rome and subsequently Florence from 1806 to 1824, he regularly sent paintings to the Paris Salon, where they were faulted by critics who found his style bizarre and archaic. He received few commissions during this period for the history paintings he aspired to paint, but was able to support himself and his wife as a portrait painter and draughtsman.
He was finally recognized at the Salon in 1824, when his Raphaelesque painting, ''The Vow of Louis XIII'', was met with acclaim, and Ingres was acknowledged as the leader of the Neoclassical school in France. Although the income from commissions for history paintings allowed him to paint fewer portraits, his ''Portrait of Monsieur Bertin'' marked his next popular success in 1833. The following year, his indignation at the harsh criticism of his ambitious composition ''The Martyrdom of Saint Symphorian'' caused him to return to Italy, where he assumed directorship of the French Academy in Rome in 1835. He returned to Paris for good in 1841. In his later years he painted new versions of many of his earlier compositions, a series of designs for stained glass windows, several important portraits of women, and ''The Turkish Bath'', the last of his several Orientalist paintings of the female nude, which he finished at the age of 83. Provided by Wikipedia
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by Ingres, Jean-Auguste-Dominique, 1780-1867
Paris : [London : Flammarion ; Thames & Hudson, distributor], 2006
Paris : [London : Flammarion ; Thames & Hudson, distributor], 2006
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by Ingres, Jean-Auguste-Dominique, 1780-1867
Paris : Michèle Trinckvel, 1986
Paris : Michèle Trinckvel, 1986
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by Ingres, Jean-Auguste-Dominique, 1780-1867
New York, Distributor: Book-of-the-Month Club 1955
New York, Distributor: Book-of-the-Month Club 1955
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by Ingres, Jean-Auguste-Dominique, 1780-1867
Los Angeles, Borden Pub. Co. 1964
Los Angeles, Borden Pub. Co. 1964
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5
by Ingres, Jean-Auguste-Dominique, 1780-1867
[Tokyo] : Kokuritsu seiyō bijutsukan, 1981
[Tokyo] : Kokuritsu seiyō bijutsukan, 1981
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by Ingres, Jean-Auguste-Dominique, 1780-1867
Paris, Helleu et Sergent, 1926
Paris, Helleu et Sergent, 1926
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by Ingres, Jean-Auguste-Dominique, 1780-1867
Paulton, Nr, Bristol [Eng.] : Purnell, 1965
Paulton, Nr, Bristol [Eng.] : Purnell, 1965
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by Ingres, Jean-Auguste-Dominique, 1780-1867
Paris, Frédéric Gittler, 1907
Paris, Frédéric Gittler, 1907
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by Ingres, Jean-Auguste-Dominique, 1780-1867
New York : Dover Publications, 1993
New York : Dover Publications, 1993
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by Ingres, Jean-Auguste-Dominique, 1780-1867
Paris : Bibliothèque des Arts, 1994
Paris : Bibliothèque des Arts, 1994
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by Ingres, Jean-Auguste-Dominique, 1780-1867
Paris : Réunion des musées nationaux, 1967
Paris : Réunion des musées nationaux, 1967
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by Ingres, Jean-Auguste-Dominique, 1780-1867
[Paris] : Flammarion, 1971
[Paris] : Flammarion, 1971
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by Ingres, Jean-Auguste-Dominique, 1780-1867
[Paris] Centre nationale de la recherche scientifique, 1959
[Paris] Centre nationale de la recherche scientifique, 1959
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by Ingres, Jean-Auguste-Dominique, 1780-1867
Vensenaz-Geneve: Caillier, 1947
Vensenaz-Geneve: Caillier, 1947
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by Ingres, Jean-Auguste-Dominique, 1780-1867
Milano : Fabbri, 1965
Milano : Fabbri, 1965
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by Ingres, Jean-Auguste-Dominique, 1780-1867
Nogent-le-Roi : Librairie des Arts et Métiers-Ed. Jacques Laget, 1999
Nogent-le-Roi : Librairie des Arts et Métiers-Ed. Jacques Laget, 1999
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by Ingres, Jean-Auguste-Dominique, 1780-1867
[Paris] : La Jeune Parque, 1947
[Paris] : La Jeune Parque, 1947
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by Ingres, Jean-Auguste-Dominique, 1780-1867
New York : Metropolitan Museum of Art : Distributed by Harry N. Abrams, 1999
New York : Metropolitan Museum of Art : Distributed by Harry N. Abrams, 1999
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