Anton Bruckner
Joseph Anton Bruckner (; 4 September 182411 October 1896) was an Austrian composer and organist best known for his symphonies and sacred music, which includes Masses, Te Deum and motets. The symphonies are considered emblematic of the final stage of Austro-German Romanticism because of their rich harmonic language, strongly polyphonic character, and considerable length. Bruckner's compositions helped to define contemporary musical radicalism, owing to their dissonances, unprepared modulations, and roving harmonies.Unlike other musical radicals such as Richard Wagner and Hugo Wolf, Bruckner showed respect, even humility, before other famous musicians, Wagner in particular. This apparent dichotomy between Bruckner the man and Bruckner the composer hampers efforts to describe his life in a way that gives a straightforward context for his music. Hans von Bülow described him as "half genius, half simpleton". Bruckner was critical of his own work and often reworked his compositions. There are several versions of many of his works.
His works, the symphonies in particular, had detractors, most notably the influential Austrian critic Eduard Hanslick and other supporters of Johannes Brahms, who pointed to their large size and use of repetition, as well as to Bruckner's propensity for revising many of his works, often with the assistance of colleagues, and his apparent indecision about which versions he preferred. On the other hand, Bruckner was greatly admired by subsequent composers, including his friend Gustav Mahler. Provided by Wikipedia
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by Bruckner, Anton 1824-1896, Bruckner, Anton 1824-1896
Leipzig VEB Breitkopf & Härtel 1953
Studien-Part., [Neudr.]
Leipzig VEB Breitkopf & Härtel 1953
Studien-Part., [Neudr.]
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by Bruckner, Anton, 1824-1896
London, England : Virgin Classics, 1991
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“...Bruckner, Anton, 1824-1896...”London, England : Virgin Classics, 1991
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by Bruckner, Anton, 1824-1896
New York, N.Y. : London, 1989
New York, N.Y. : London, 1989
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by Bruckner, Anton, 1824-1896
New York, N.Y. : RCA Victor Red Seal, 1990
New York, N.Y. : RCA Victor Red Seal, 1990
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by Bruckner, Anton, 1824-1896
[S.l.] : Philips, 1990
[S.l.] : Philips, 1990
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by Bruckner, Anton, 1824-1896
Los Angeles, CA : LaserLight, 1991
Los Angeles, CA : LaserLight, 1991
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by Bruckner, Anton, 1824-1896
[The Netherlands] : Philips Digital Classics, 1989
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“...Bruckner, Anton, 1824-1896...”[The Netherlands] : Philips Digital Classics, 1989
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by Bruckner, Anton, 1824-1896
London : Hyperion, 1985
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“...Bruckner, Anton, 1824-1896...”London : Hyperion, 1985
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by Bruckner, Anton, 1824-1896
[West Germany?] : Philips, 1986
[West Germany?] : Philips, 1986
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by Bruckner, Anton, 1824-1896
Hackensack, NJ : Allegretto, 1990
Hackensack, NJ : Allegretto, 1990
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by Bruckner, Anton, 1824-1896
London : Hyperion, 1986
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“...Bruckner, Anton, 1824-1896...”London : Hyperion, 1986
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by Bruckner, Anton, 1824-1896
Freiburg, West Germany : Middlesex, England : Deutsche Harmonia Mundi ; EMI Records, 1982
Freiburg, West Germany : Middlesex, England : Deutsche Harmonia Mundi ; EMI Records, 1982
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by Bruckner, Anton, 1824-1896
Switzerland : Novalis, 1990
Switzerland : Novalis, 1990
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by Bruckner, Anton, 1824-1896
Santa Monica, CA : LaserLight, 1993
Santa Monica, CA : LaserLight, 1993
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by Bruckner, Anton, 1824-1896
New York : Sony Classical, 1992
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“...Bruckner, Anton, 1824-1896...”New York : Sony Classical, 1992
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by Bruckner, Anton, 1824-1896
Hayes, Middlesex, England ; Freiburg, W. Germany : EMI/Deutsche Harmonia Mundi, 1982
Hayes, Middlesex, England ; Freiburg, W. Germany : EMI/Deutsche Harmonia Mundi, 1982
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by Bruckner, Anton, 1824-1896
Cleveland, Ohio : Telarc, 1991
Cleveland, Ohio : Telarc, 1991
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by Bruckner, Anton, 1824-1896
Wien : Musikwissenschaftlicher Verlag der Internationalen Bruckner-Gesellschaft, 1959
Wien : Musikwissenschaftlicher Verlag der Internationalen Bruckner-Gesellschaft, 1959
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