Xenophon

Xenophon of Athens (; ; – probably 355 or 354 BC) was a Greek military leader, philosopher, and historian, born in Athens. At the age of 30, Xenophon was elected commander of one of the biggest Greek mercenary armies of the Achaemenid Empire, the Ten Thousand, that marched on and came close to capturing Babylon in 401 BC. As the military historian Theodore Ayrault Dodge wrote, "the centuries since have devised nothing to surpass the genius of this warrior". Xenophon established precedents for many logistical operations, and was among the first to describe strategic flanking maneuvers and feints in combat.

Xenophon's ''Anabasis'' recounts his adventures with the Ten Thousand while in the service of Cyrus the Younger, Cyrus's failed campaign to claim the Persian throne from Artaxerxes II of Persia, and the return of Greek mercenaries after Cyrus's death in the Battle of Cunaxa. ''Anabasis'' is a unique first-hand, humble, and self-reflective account of a military leader's experience in antiquity. On the topic of campaigns in Asia Minor and in Babylon, Xenophon wrote ''Cyropaedia'' outlining both military and political methods used by Cyrus the Great to conquer the Neo-Babylonian Empire in 539 BC. ''Anabasis'' and ''Cyropaedia'' inspired Alexander the Great and other Greeks to conquer Babylon and the Achaemenid Empire in 331 BC.

A student and a friend of Socrates, Xenophon recounted several Socratic dialogues''Symposium'', ''Oeconomicus'', ''Hiero'', a tribute to Socrates''Memorabilia'', and a chronicle of the philosopher's trial in 399 BC''Apology of Socrates to the Jury''. Reading Xenophon's ''Memorabilia'' inspired Zeno of Citium to change his life and start the Stoic school of philosophy.

For at least two millennia, Xenophon's many talents fueled the debate of whether to place Xenophon with generals, historians or philosophers. For the majority of time in the past two millennia, Xenophon was recognized as a philosopher. Quintilian in The Orator's Education discusses the most prominent historians, orators and philosophers as examples of eloquence and recognizes Xenophon's historical work, but ultimately places Xenophon next to Plato as a philosopher. Today, Xenophon is best known for his historical works. The ''Hellenica'' continues directly from the final sentence of Thucydides' ''History of the Peloponnesian War'' covering the last seven years of the Peloponnesian War (431–404 BC) and the subsequent forty-two years (404 BC–362 BC) ending with the Second Battle of Mantinea.

Despite being born an Athenian citizen, Xenophon came to be associated with Sparta, the traditional opponent of Athens. Experience as a mercenary and a military leader, service under Spartan commanders in Ionia, Asia Minor, Persia and elsewhere, exile from Athens, and friendship with King Agesilaus II endeared Xenophon to the Spartans. Much of what is known today about the Spartan society comes from Xenophon's worksthe royal biography of the Spartan king ''Agesilaus'' and the ''Constitution of the Lacedaemonians''.

Xenophon is recognized as one of the greatest writers of antiquity. Xenophon's works span multiple genres and are written in plain Attic Greek, which is why they have often been used in translation exercises for contemporary students of the Ancient Greek language. In the ''Lives and Opinions of Eminent Philosophers'', Diogenes Laërtius observed that Xenophon was known as the "Attic Muse" because of the sweetness of his diction. Several centuries later, Roman philosopher and statesman Cicero described Xenophon's mastery of Greek composition in Orator with the following words: "the muses were said to speak with the voice of Xenophon". Roman orator, attorney and teacher of rhetoric Quintilian echoes Cicero in ''The Orator's Education'' saying "the Graces themselves seem to have molded his style and the goddess of persuasion sat upon his lips".

The sub-satrap Mania (satrap) is primarily known through Xenophon's writings. Provided by Wikipedia
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141
by Xenophon
London : printed for Richard Wellington, 1742

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142
by Xenophon
Oxonii : E Theatro Sheldoniano, Impensis Jacobi Fletcher, venales prostant Londini apud C. Rivington, J. & P. Knapton, R. Manby, J. Nourse, et Gul. Thurlbourn, Cantab., 1741

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143
by Xenophon
A Paris : Chez les freres De Bure ..., 1778

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144
by Xenophon
London : Printed for Tho. Corbet ..., 1727

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145
by Xenophon
In Venetia : Presso Pietro Dusinelli, 1588

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146
by Xenophon
London, T. Ilive for G. Sawbridge, 1712

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147
by Xenophon
Leipzig : B.G. Teubner, 1881
8. verbesserte Auflage.

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148
by Xenophon
Milano : Cisalpino-Goliardica, 1980

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149
by Xenophon
[London] : Printed for William Hope inter press, 1654

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150
by Xenophon
A Amsterdam : Chez François L'Honoré & fils., 1745
Other Authors: ...Xenophon...

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151
by Xenophon
London : H.G. Bohn, 1855
Other Authors: ...Xenophon...

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152
by Xenophon
Berolini [Berlin] : Sumptibus Ferd. Dümmleri, 1833

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153
by Xenophon
In Vinegia : Al segno del [P]ozzo, 1540

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154
by Xenophon
Lipsiae : Sumtibus Caspari Fritsch, 1782

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155
by Xenophon
Torino : Unione tipografico-editrice torinese, 2002

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156
by Xenophon
Philadelphia : Charles DeSilver and Sons, 1859

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157
by Xenophon
[Imprinted at London]: [In Paules Churche yarde at the signe of the Lambe by [W. Copland for] Abraham Vele], 1557

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158
by Xenophon
Paris : J.M. Eberhart, 1813
Other Authors: ...Xenophon...

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159
by Xenophon
Lipsiae : In libraria Gleditschia, 1801
Editio nova emendatior.

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160
by Xenophon
London : Printed by R.H. for William Freeman over against the Devil Tavern by Temple-Bar, in Fleet-Street, 1685

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