Bohuslav Martinů
Bohuslav Jan Martinů (; December 8, 1890 – August 28, 1959) was a Czech composer of modern classical music. He wrote 6 symphonies, 15 operas, 14 ballet scores and a large body of orchestral, chamber, vocal and instrumental works. He became a violinist in the Czech Philharmonic Orchestra, and briefly studied under Czech composer and violinist Josef Suk. After leaving Czechoslovakia in 1923 for Paris, Martinů deliberately withdrew from the Romantic style in which he had been trained. During the 1920s he experimented with modern French stylistic developments, exemplified by his orchestral works ''Half-time'' and ''La Bagarre''. He also adopted jazz idioms, for instance in his ''Kitchen Revue'' (''Kuchyňská revue'').In the early 1930s he found his main fount for compositional style: neoclassicism, creating textures far denser than those found in composers treating Stravinsky as a model. He was prolific, quickly composing chamber, orchestral, choral and instrumental works. His Concerto Grosso and the Double Concerto for Two String Orchestras, Piano and Timpani are among his best-known works from this period. Among his operas, ''Juliette'' and ''The Greek Passion'' are considered the finest. He has been compared to Prokofiev and Bartók in his innovative incorporation of Czech folk elements into his music. He continued using Bohemian and Moravian folk melodies throughout his oeuvre, for instance in ''The Opening of the Springs'' (''Otvírání studánek'').
His symphonic career began when he emigrated to the United States in 1941, fleeing the German invasion of France. His six symphonies were performed by all the major US orchestras. Eventually Martinů returned to live in Europe for two years starting in 1953, then was back in New York until returning to Europe in May 1956. He died in Switzerland in August 1959. Provided by Wikipedia
181
by Martinů, Bohuslav, 1890-1959
Paris : A. Leduc, 1995
Paris : A. Leduc, 1995
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Musical Score
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182
by Martinů, Bohuslav, 1890-1959
[S.l.] : New York, NY : RCA Victor Red Seal ; Distributed by BMG Music, 1994
[S.l.] : New York, NY : RCA Victor Red Seal ; Distributed by BMG Music, 1994
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183
by Martinů, Bohuslav, 1890-1959
Colchester, Essex, England : Chandos, 1991
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“...Martinů, Bohuslav, 1890-1959...”Colchester, Essex, England : Chandos, 1991
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184
by Martinů, Bohuslav, 1890-1959
Praha : Panton, 1975
Praha : Panton, 1975
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185
by Martinů, Bohuslav, 1890-1959
Praha : Mojmír Urbánek, 1947
Praha : Mojmír Urbánek, 1947
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186
187
by Martinů, Bohuslav, 1890-1959
Paris : M. Eschig 1964
Paris : M. Eschig 1964
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188
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189
by Martinů, Bohuslav, 1890-1959
Czechoslovakia : Panton, 1980
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“...Martinů, Bohuslav, 1890-1959...”Czechoslovakia : Panton, 1980
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190
by Martinů, Bohuslav, 1890-1959
[Praha] : Artia, 1955
[Praha] : Artia, 1955
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191
by Martinů, Bohuslav, 1890-1959
New York, N.Y. : RCA Victor Red Seal, 1988
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“...Martinů, Bohuslav, 1890-1959...”New York, N.Y. : RCA Victor Red Seal, 1988
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192
by Martinů, Bohuslav, 1890-1959
Praha : Panton, 1960
Praha : Panton, 1960
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193
by Martinů, Bohuslav, 1890-1959
Kearny, N.J. : Parliament, 1963
Kearny, N.J. : Parliament, 1963
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194
by Martinů, Bohuslav, 1890-1959
[Hong Kong] : Naxos Music Library, 2004
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“...Martinů, Bohuslav, 1890-1959...”[Hong Kong] : Naxos Music Library, 2004
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195
by Martinů, Bohuslav, 1890-1959
[Czechoslovakia] : Panton, 1972
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“...Martinů, Bohuslav, 1890-1959...”[Czechoslovakia] : Panton, 1972
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196
by Martinů, Bohuslav, 1890-1959
Paris, Leduc 1950
Paris, Leduc 1950
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Musical Score
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197
by Martinů, Bohuslav, 1890-1959
Mainz, New York, B. Schott's Söhne; Associated Music Publ. 1953
Mainz, New York, B. Schott's Söhne; Associated Music Publ. 1953
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198
by Martinů, Bohuslav, 1890-1959
Japan : Supraphon, 1984
Japan : Supraphon, 1984
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199
by Martinů, Bohuslav, 1890-1959
Prague : Supraphon, 1977
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“...Martinů, Bohuslav, 1890-1959...”Prague : Supraphon, 1977
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200
by Martinů, Bohuslav, 1890-1959
Paris, Éditions M. Eschig 1929
Paris, Éditions M. Eschig 1929
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