John Cage

John Milton Cage Jr. (September 5, 1912 – August 12, 1992) was an American composer and music theorist. A pioneer of indeterminacy in music, electroacoustic music, and non-standard use of musical instruments, Cage was one of the leading figures of the post-war avant-garde. Critics have lauded him as one of the most influential composers of the 20th century. He was also instrumental in the development of modern dance, mostly through his association with choreographer Merce Cunningham, who was also Cage's romantic partner for most of their lives.

Cage's teachers included Henry Cowell (1933) and Arnold Schoenberg (1933–35), both known for their radical innovations in music, but Cage's major influences lay in various East and South Asian cultures. Through his studies of Indian philosophy and Zen Buddhism in the late 1940s, Cage came to the idea of aleatoric or chance-controlled music, which he started composing in 1951. The ''I Ching'', an ancient Chinese classic text and decision-making tool, became Cage's standard composition tool for the rest of his life. In a 1957 lecture, ''Experimental Music'', he described music as "a purposeless play" which is "an affirmation of life – not an attempt to bring order out of chaos nor to suggest improvements in creation, but simply a way of waking up to the very life we're living".

Cage's best known work is the 1952 composition ''4′33″'', a piece performed in the absence of deliberate sound; musicians who present the work do nothing but be present for the duration specified by the title. The content of the composition is intended to be the sounds of the environment heard by the audience during performance. The work's challenge to assumed definitions about musicianship and musical experience made it a popular and controversial topic both in musicology and the broader aesthetics of art and performance. Cage was also a pioneer of the prepared piano (a piano with its sound altered by objects placed between or on its strings or hammers), for which he wrote numerous dance-related works and a few concert pieces. These include ''Sonatas and Interludes'' (1946–48). Provided by Wikipedia
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201
by Cage, John
New York : Henmar Press, 1988

Musical Score Book
202
by Cage, John
Munich : Col legno, 1998
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203
by Cage, John
New York, Henmar Press, 1974

Musical Score Book
204
by Cage, John
New York, C. F. Peters Corp. 1960

Musical Score Book
206
by Cage, John
Wergo 1976
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Audio
207
by Cage, John
Composers Recordings 1965

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Audio
208
by Cage, John
New York : Henmar Press, 1961

Musical Score Book
209
by Cage, John
Columbia 1970

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Musical Score Book
210
by Cage, John
New York : C.F. Peters, 1961

Musical Score Book
211
by Cage, John
Mainz, Germany : Wergo, 1991
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Audio
212
by Cage, John
Kew Gardens, NY : Mode, 1986
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Audio
213
by Cage, John
Hanover, N.H. : Wesleyan University Press : University Press of New England, 1996

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Electronic Book
214
by Cage, John
Pismo Beach, CA : Legacy International, 1997

Book
215
by Cage, John
München : ECM Records, 2005
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Book
216
by Cage, John
San Francisco, Calif. : New Albion Records, 1990
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Electronic Audio
217
by Cage, John
[Budapest] : Hungaroton Classic, 2008
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Electronic Audio
218
by Cage, John
Franklin, Tenn. : Distributed by Naxos of America, 1999

Audio Book
219
by Cage, John
Washington DC : Smithsonian/Folkways Recordings, 1992

Audio
220
by Cage, John
New York : BMG Music, 1994

Audio